The Beauty And Grandeur Of ‘Godzilla’
By David Chen/May 15, 2014 2:00 pm EST
But one thing that is undeniable is how incredible Godzilla looks.
While some may argue that this teasing goes on for a bit too long, I personally found it to be much more effective than showing a large creature destroying stuff while humans watched helplessly. Each one of these tableaus tells a story, and the impact of the aftermath is more horrifying than the visceral thrill of seeing the destruction go down. It also makes the destruction that the film does depict all the more effective.
As with many other sci-fi films these days, Edwards often opts for a documentary-style approach to filming his action scenes. The camera often looks handheld, barely keeping up with the objects it’s trying to follow — even when shots are done using almost entirely CG.
In a great interview with Buzzfeed’s Alison Willmore, Edwards says of his camera placement, “We had a golden rule, which was the camera should always be somewhere where a real camera crew could be. Typically, that’s on the ground with people. But even if we were high up, often it was a rooftop or through a window. There’s the occasional helicopter moment, but I was trying to avoid crazy camera moves where they go through the creature’s arms.” This style subconsciously grounds the viewer and helps provide some level of verisimilitude to the fantastical proceedings.
Beyond all this though, Edwards just has a freaking good eye for spectacular images.
As Ken Watanabe’s character Ichiro Serizawa states during the film, “The arrogance of man is thinking nature is in our control, and not the other way around.” The best thing about Godzilla is that, by juxtaposing humans with the enormity of their surroundings, its imagery unequivocally conveys man’s ultimate insignificance and powerlessness on this planet.
